India Pavilion | Remembering Home
61st La Biennale di Venezia May 9 - November 22, 2026
Table Settings
The Asian Art Museum, San Francisco
Till the mountain becomes the mountain again
Talwar Gallery | New Delhi
Promised Land
Talwar Gallery | New York
May 9 - November 22, 2026
We are delighted to announce the selection of Alwar Balasubramaniam & Ranjani Shettar for the India Pavilion, curated by Amin Jaffer, at the 61st Venice Biennale, In Minor Keys, conceived by the late curator Koyo Kouoh.
January 29, 2024 - January 10, 2027
Afterlives brings together modern-day works that reckon with death and visualize the afterlife and Byzantine Egyptian funerary art and artifacts. On view are objects from 4th to 7th century to contemporary artists from the MET’s permanent collection including Gabriel Orozco, Taryn Simon, Tavares Strachan, Adrian Piper, Louise Bourgeois, Walid Raad, and Alwar Balasubramaniam.
The Barbican Centre hosts a spectacular site-specific commission by Indian sculptor Ranjani Shettar. Cloud songs on the horizon, Shettar’s first major institutional show in Europe, featuring a series of new, large-scale suspended sculptures across the entirety of their iconic Conservatory.
In partnership with Kiran Nadar Museum of Art (KNMA).
Remembering at Serpentine North traces Arpita Singh’s luminous works from the 1960s to recent years, showcasing her large-scale oil paintings as well as her more intimate watercolours, ink drawings and works on paper from 1974-82 that were pivotal in laying the foundation of Singh’s oeuvre.
Volume 27 / Issue 03 / 2025 As artist Alwar Balasubramaniam marks a decade at his studio near Tirunelveli, he invites us into his sanctuary, a space he built himself. Time seems to dissolve entirely at Alwar Balasubramaniam’s studio located in a village near Tirunelveli, in the western part of Tamil Nadu...
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Apr 9, 2026 - Nov 2, 2026
This monumental watercolor work was created by the artist Al-An deSouza in response to the galleries of the Asian Art Museum. Impressions of forms, colors, and shapes on display coalesce with patterns and images drawn from Al-An’s practice of photographing the streets while walking.
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