Till the mountain becomes the mountain again
February 4, 2026 - June 6, 2026 Talwar Gallery | New Delhi
Promised Land
December 6, 2025 - March 7, 2026 Talwar Gallery | New York
January 29, 2024 - January 25, 2026
Afterlives brings together modern-day works that reckon with death and visualize the afterlife and Byzantine Egyptian funerary art and artifacts. On view are objects from 4th to 7th century to contemporary artists from the MET’s permanent collection including Gabriel Orozco, Taryn Simon, Tavares Strachan, Adrian Piper, Louise Bourgeois, Walid Raad, and Alwar Balasubramaniam.
Remembering at Serpentine North traces Arpita Singh’s luminous works from the 1960s to recent years, showcasing her large-scale oil paintings as well as her more intimate watercolours, ink drawings and works on paper from 1974-82 that were pivotal in laying the foundation of Singh’s oeuvre.
December 2025 It is that time of the year when we glance back and try to get a glimpse forward. This reminded me about a column I had penned down a dozen years ago on the state of the Indian art market, The Great Indian Art Bazaar and thought to see how much of it has come to pass and what still remains...
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The Barbican Centre hosts a spectacular site-specific commission by Indian sculptor Ranjani Shettar. Cloud songs on the horizon, Shettar’s first major institutional show in Europe, featuring a series of new, large-scale suspended sculptures across the entirety of their iconic Conservatory.
In partnership with Kiran Nadar Museum of Art (KNMA).
Volume 27 / Issue 03 / 2025 As artist Alwar Balasubramaniam marks a decade at his studio near Tirunelveli, he invites us into his sanctuary, a space he built himself. Time seems to dissolve entirely at Alwar Balasubramaniam’s studio located in a village near Tirunelveli, in the western part of Tamil Nadu...
A landmark group exhibition of art made in response to India’s changing cultural-political landscape during pivotal years [1975-1998]. Across a range of media, the vivid, urgent works on show – about friendship, love, desire, family, religion, violence, caste, community, protest – are deeply personal documents from a period of tremendous change. This is the first institutional exhibition to cover these definitive years, with many works never before seen in the UK.
