Skip to content
The New York Times

The work of this exceptional young artist, based in India, is about the play of material solidity and illusion. His first show at Talwar two years ago included a full-size human form that seemed to pass through a gallery wall; for the current show, he has cast his own head in an opaque, waxy substance of a kind used to produce air fresheners, so that the self-portrait will dissolve through slow evaporation. Time and change are also the subjects of other work here, including a burnt drawing that measured the passing of a day with a slow-burning fuse. And the whole, spare, resonant show comes together in a sculpture of a single slender branch bristling with sharp thorns and cast in solid gold; the more alluring illusion is, the more painful it can be.

-Holland Cotter